Berlinde De Bruyckere - Beau Livre

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Berlinde De Bruyckere - Berlinde De Bruyckere.
The exhibition dedicated to Berlinde De Bruyckere at MO.CO. (Montpellier Contemporain), conceived in a tight-knit collaboration with the artist, puts... Lire la suite
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Résumé

The exhibition dedicated to Berlinde De Bruyckere at MO.CO. (Montpellier Contemporain), conceived in a tight-knit collaboration with the artist, puts together some sixty works made by her between 1999 and 2022. Exploring her preferred media (sculpture, installation, drawing, watercolour, and collage), she takes over all the spaces. The selection includes six new works created specifically for this project at MO.CO.
Although the exhibition at MO.CO. will have as crucial elements some well-known themes of Berlinde De Bruyckere's production—like the martyr, redemption, and metamorphosis—it will equally plunge on less often highlighted aspects of her work, such as eroticism or the relations and hybridizations between humans, plants, and animals, in addition to notions around work and exploitation. Berlinde De Bruyckere's exhibition is accompanied by the publication of a richly illustrated catalogue for the occasion, in both French and English, with graphic design entrusted to the design studio Tout va bien.
It also comprises unpublished contributions of the South African writer Antjie Krog and Numa Hambursin, as well as an interview with the artist made by the curators, Vincent Honoré, Anna Kerekes and Rahmouna Boutayeb.

Caractéristiques

  • Date de parution
    05/07/2022
  • Editeur
  • ISBN
    978-2-36306-318-2
  • EAN
    9782363063182
  • Format
    Beau Livre
  • Présentation
    Relié
  • Nb. de pages
    160 pages
  • Poids
    0.79 Kg
  • Dimensions
    22,0 cm × 31,0 cm × 0,0 cm

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À propos de l'auteur

Biographie de Berlinde De Bruyckere

Born in Ghent, Belgium, in 1964, where she currently lives and works, Berlinde De Bruyckere was deeply influenced by the Flemish Renaissance painting. Drawing on the legacy of great European masters, religious iconography, as well as on ancient mythology and traditional culture, her work rests upon the dialectics experienced between images of current affairs and the breath of universal and timeless parables.
By experimenting with malleable materials, like wax, fabric, or animal skin, Berlinde De Bruyckere built a unique body of work, simultaneously identifiable and moving, at times also unsettling, that translates into the flesh of sculptures the paradox of ‘sublime weakness' posited by Lao-Tzu. Working both as a painter and a sculptor, her hybrid forms with human, animal, and plant features, bear an envelope, a diaphanous skin, or a bark under which quiver very dainty veins, a sap that ceaselessly flows and witnesses the hope contained in the miracle of each life.

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