Night Encounter - E-book - ePub

Edition en anglais

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An escaped convict, a mysterious deserted house, and murder in the Lake District.. Classic crime from one of the greats of the Detection ClubThe shades... Lire la suite
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Résumé

An escaped convict, a mysterious deserted house, and murder in the Lake District.. Classic crime from one of the greats of the Detection ClubThe shades of night were falling fast when Arthur Crook drove the old Superb over the Lakeland Fells and into the valley, to stop at a mysterious house where, though a light burned in an upper window, no one answered the bell. Here opens a double murder mystery in which Crook acts in the defence of a young prisoner on the run, whose guilt appears evident.
'The usual gusto, racy prose, good plotting and up-to-the-minute social observation' Sunday Times

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À propos de l'auteur

Biographie d'Anthony Gilbert

Anthony Gilbert was the pen name of Lucy Beatrice Malleson. Born in London, she spent all her life there, and her affection for the city is clear from the strong sense of character and place in evidence in her work. She published 69 crime novels, 51 of which featured her best known character, Arthur Crook, a vulgar London lawyer totally (and deliberately) unlike the aristocratic detectives, such as Lord Peter Wimsey, who dominated the mystery field at the time.
She also wrote more than 25 radio plays, which were broadcast in Great Britain and overseas. Her thriller The Woman in Red (1941) was broadcast in the United States by CBS and made into a film in 1945 under the title My Name is Julia Ross. She was an early member of the British Detection Club, which, along with Dorothy L. Sayers, she prevented from disintegrating during World War II. Malleson published her autobiography, Three-a-Penny, in 1940, and wrote numerous short stories, which were published in several anthologies and in such periodicals as Ellery Queen's Mystery Magazine and The Saint.
The short story 'You Can't Hang Twice' received a Queens award in 1946. She never married, and evidence of her feminism is elegantly expressed in much of her work.

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