Beijing Opera Costumes - The visual communication of character and culture - Grand Format

Edition en anglais

Alexandra B. Bonds

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Beijing Opera Costumes : The Visual Communication of Character and Culture illuminates the links between theatrical attire and the social customs and... Lire la suite
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Résumé

Beijing Opera Costumes : The Visual Communication of Character and Culture illuminates the links between theatrical attire and the social customs and aesthetics of China, covering both the theory and practice of stage dress. Distinguishing attributes include an introduction to the performance style, the delineation of the costume conventions, an analysis of the costumes through their historical precedents and theatrical modifications, and the use of garment shape, color, and embroidery for symbolic effect.
Practical information covers dressing the performers, understanding a costume plot, creating the makeup designs and hairstyles, and patterning for the major garments. Photographs from live performances, as well as detailed photographs of the embroidery and the headdresses, thoroughly portray the stunning beauty of this incomparable performance style. Presenting the brilliant colors of the elaborately embroidered silk costumes together with the intricate makeup and glittering headdresses, this volume embodies the elegance of the Beijing opera.

Caractéristiques

  • Date de parution
    01/01/2019
  • Editeur
  • ISBN
    978-1-138-50477-6
  • EAN
    9781138504776
  • Format
    Grand Format
  • Présentation
    Broché
  • Nb. de pages
    355 pages
  • Poids
    1.42 Kg
  • Dimensions
    22,0 cm × 28,0 cm × 2,0 cm

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À propos de l'auteur

Biographie d'Alexandra B. Bonds

Alexandra B. Bonds is Professor Emerita of Costume Design at the University of Oregon. Her passion for Beijing Opera costumes began when she received a Fulbright to teach at the National Institute for the Arts (now Taipei National University for the Arts) in Taiwan in 1990. An award-winning designer of costumes, she became the first foreigner to study costumes at the National Academy for Chinese Theatre Arts (Zhongguo Xiqu Xueyuan) in Beijing, China.
Her research in this area has been recognized for excellence in writing for the performing arts by the United States Institute for Theatre Technology.

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