Late Antique Metalware. The Production of Copper-Alloy Vessels between the 4th and 8th Centuries - The Benaki Museum Collection and Related Material

Anastasia Drandaki

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Anastasia Drandaki - Late Antique Metalware. The Production of Copper-Alloy Vessels between the 4th and 8th Centuries - The Benaki Museum Collection and Related Material.
The book examines the fourth- to eighth-century copper alloy wares in the Benaki Museum, using them as the basis on which a wider debate about the production,... Lire la suite
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Résumé

The book examines the fourth- to eighth-century copper alloy wares in the Benaki Museum, using them as the basis on which a wider debate about the production, circulation and use of copper vessels in Late Antiquity can be built. It is an attempt at a holistic approach to this rich but as yet little studied material. Apart from the necessary typology and dating, the study also includes systematic discussion of questions regarding the alloys used in the manufacture of the copperwares and the techniques employed in their production and decoration.
The study of primary sources provided evidence about the late Roman and Medieval Greek terminology associated with each group of objects, as well as interesting information about the distribution of various types of vessels, the context in which they were used and the value their owners placed on them, while also containing useful references to the coppersmiths themselves. Most of the Benaki copperwares were acquired on the Egyptian market and can be connected with the rich local production in the Late Roman and Early Islamic period.
Yet the study of these artefacts showed that they have striking similarities with a wide range of archaeological material discovered over an extremely large geographical area, from the Eastern Mediterranean to Italy, Germany, Spain and the UK. The geographical spread of copper alloy wares that follow a parallel development in different parts of the empire and also appear almost contemporaneously in Western European burials reignites the debate on the production centres and subsequent modes of distribution of these artefacts.
In turn these issues touch on the long-standing debate on the so-called ‘Coptic bronzes' and the actual role of Egypt in the overall production of and trade in these articles in Late Antiquity.

Caractéristiques

  • Date de parution
    05/02/2021
  • Editeur
  • Collection
    Bibliothèque de l'Antiquité Ta
  • ISBN
    978-2-503-56941-3
  • EAN
    9782503569413
  • Présentation
    Broché
  • Nb. de pages
    410 pages
  • Poids
    1.48 Kg
  • Dimensions
    21,6 cm × 28,0 cm × 0,0 cm

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À propos de l'auteur

Biographie d'Anastasia Drandaki

Anastasia Drandaki is the Curator of the Byzantine Collection at the Benaki Museum, Athens. She has published books and articles on late antique and medieval metalwork, icons and wall paintings, the devotional practices in Byzantium, and the arts of Sinai. She is author of "Greek Icons 14th-18th century : The Rena Andreadis Collection" and has edited "The Origins of El Greco : Icon Painting in Venetian Crete", "Pilgrimage to Sinai" and "Heaven and Earth : Art of Byzantium from Greek Collections (with D.
Bakirtzis and A. Tourta).

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