Proust/Warhol - Analytical Philosophy of Art

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David Carrier - Proust/Warhol - Analytical Philosophy of Art.
Two of the most important modernist artists, Marcel Proust and Andy Warhol, also developed aesthetic theories. Proust presents imaginary artists – a... Lire la suite
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Résumé

Two of the most important modernist artists, Marcel Proust and Andy Warhol, also developed aesthetic theories. Proust presents imaginary artists – a composer, a painter, and a novelist. Warhol made paintings and sculptures ; created art history writing, fiction, and films ; and sponsored a rock group. Warhol most likely never read Proust, but because their ways of thinking contrast dramatically, much can be learned about both men's art by comparing : the imaginary painting described by Proust to Warhol's Marilyn Diptych ; the ways that Proust and Warhol understand art-making ; how Proust and Warhol define art ; and the ways that Elstir's studio differs from Warhol's factory.
Also discussed is the relationship of their homosexuality to their art. Proust/Warhol : Analytical Philosophy of Art employs three key intellectual tools : the aesthetic theory of Arthur Danto, the account of Proust by Joshua Landy, and the analysis of the art of living by Alexander Nehamas. Proust/Warhol concludes with a discussion of an issue of particular importance for Warhol, the relationship between art and fashion.

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Biographie de David Carrier

The Author : David Carrier received his Ph.D. from Columbia University. Since 2001 he has been Champney Family Professor, a post divided between Case Western Reserve University and the Cleveland Institute of Art. He has been a Getty Scholar, a Clark Fellow, and a Senior Fellow at the National Humanities Center. He will be a Fulbright-Luce lecturer in Beijing (Spring 2009). Carrier's art criticism has been published in Artforum, ArtUS, The Burlington Magazine, and other journals.
His books include : High Art : Charles Baudelaire and the Origins of Modernist Painting (1996); The Aesthetics of Comics (2000); Rosalind Krauss and American Philosophical Art Criticism : From Formalism to beyond Postmodernism (2002); Writing About Visual Art (2003); Museum Skepticism : A History of the Display of Art in Public Galleries (2006); and A World Art History (forthcoming).

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