Reductionism in Art and Brain Science - Bridging the Two Cultures - Grand Format

Edition en anglais

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With his remarkable scientific career and deep interest in art, Eric R. Kandel is uniquely positioned to bridge the cultural divide between the arts and... Lire la suite
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Résumé

With his remarkable scientific career and deep interest in art, Eric R. Kandel is uniquely positioned to bridge the cultural divide between the arts and sciences. In this book he illustrates how reductionism - the distillation of larger scientific or aesthetic concepts into smaller, more tractable components - has been used by scientists and artists alike to pursue their respective truths. He draws on his Nobel Prize - winning work revealing the neuro-biological underpinnings of learning and memory to shed light on how a similarly reductionism approach has been employed by modern artists who distill their subjective world into color, form, and light.
Reductionism in Art and Brain Science demonstrates how science can inform the way we experience a work of art, drawing out the common concerns of science and art and how they illuminate each other.

Caractéristiques

  • Date de parution
    01/07/2018
  • Editeur
  • ISBN
    978-0-231-17963-8
  • EAN
    9780231179638
  • Format
    Grand Format
  • Présentation
    Broché
  • Nb. de pages
    226 pages
  • Poids
    0.5 Kg
  • Dimensions
    15,0 cm × 22,5 cm × 1,3 cm

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À propos de l'auteur

Biographie d'Eric R. Kandel

Eric R. Kandel is University Professor and Fred Kavli Professor in the Departments of Neuroscience, Biochemistry and Molecular Biophysics, and Psychiatry at Columbia University. He is director of the Kavli Institute for Brain Science and codirector of the Mortimer B. Zuckerman Mind Brain Behavior Institute at Columbia. In z000, he was awarded the Nobel Prize in Physiology or Medicine. His books include In Search of Memorys The Emergence of a New Science of Mind (2006) and The Age of Insight : 7he Quest to Understand the Unconscious in Art, Mind, and Brain, from Vienna soon to the Present (2012).

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