The Cambridge Stravinsky Encyclopedia - Grand Format

Edition en anglais

Edward Campbell

,

Peter O'hagan

Note moyenne 
Igor Stravinsky is one of a small number of early modernist composers whose music epitomises the stylistic crisis of twentieth-century music, from the... Lire la suite
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Résumé

Igor Stravinsky is one of a small number of early modernist composers whose music epitomises the stylistic crisis of twentieth-century music, from the Russian nationalist heritage of the early works, to the neo-classical works which anticipate the stylistic diversity of the contemporary musical scene in the early twenty-first century and the integration of serial techniques during his final period.
With entries written by more than sixty international contributors from Russian, European and American traditions, The Cambridge Stravinsky Encyclopedia presents multiple perspectives on the life, works, writings and aesthetic relationships of this multi-faceted creative artist. This important resource explores Stravinsky's relationships with virtually all the major artistic figures of his time - painters, dramatists, choreographers and producers, as well as musicians - and brings together fresh insights into the life and work of one of the twentieth century's greatest composers.
Includes over 430 concise but detailed entries on Stravinsky's work and creative and personal relationships. Provides comprehensive and up-to-date coverage of Stravinsky's musical works, writings and creative collaboration from a range of international perspectives. Explores Stravinsky's inter-disciplinary work and engagements with other musicians, writers, visual artists, dancers and impresarios.

Caractéristiques

  • Date de parution
    14/10/2021
  • Editeur
  • ISBN
    978-1-107-14087-5
  • EAN
    9781107140875
  • Format
    Grand Format
  • Présentation
    Relié
  • Nb. de pages
    564 pages
  • Poids
    1.04 Kg
  • Dimensions
    16,0 cm × 23,5 cm × 3,2 cm

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À propos des auteurs

Edward Campbell is Professor of Music at the University of Aberdeen where he specialises in contemporary European art music and aesthetics. His published work includes the books Boulez, Music and Philosophy (2010), Music after Deleuze (2013) and the co-edited volume Pierre Boulez Studies (2016). Peter O'Hagan is a pianist and writer specialising in contemporary music. He has given numerous concerts at London's South Bank Centre and Wigmore Hall, as well as at festivals of contemporary music in Europe and the USA.

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